Mix Up Mix Up (Timeline Confusion)

As I've spoken about before, it became very clear to Kate and I during SoulJahm that we were on a higher timeline, you could say, than the timeline the rest of the world had chosen. This was probably symbolised in our bust-up with the French freemason and his Irish wife back in 2010 just before we left for continental Europe. One of the things she had said during that time was "when is he going to join the rest of us?".

In recent years as I've found myself using social media much more I can clearly see that again I am in the minority and all the same kinds of viewpoints which were being expressed on the Icke forum by the majority there are still being expressed, only now on social media. I disagreed with them then and I still disagree with them now. Although I've grown and learnt a lot on the human level, you might say, everything else remains the same. So, just as I didn't fit in back then, I still find that is the case, only now on social media.

There have been lots of times over the last 10 years where I've noticed this difference in timelines showing up and just recently, I was reminded again. In trying to get some momentum and gain new exposure for this Music, we've been submitting songs to Spotify playlists over the last year. This was something I hadn't done before because I was focussed more on building an audience in real life through playing. I had been hoping the busking would lead to a band situation where we could expand on what I'd started solo. Then the lockdown hit, and everything in real life shut down for a few years and everything was happening online. I knew this was deliberate in an attempt to drive humanity more into this transhumanist agenda but had little choice but to take part to some degree in order to keep things moving and growing. My aim however has remained the same and real life is where I still intend to be with this Music.

For the last 10 years it has felt like the past has been trying very hard to come back in while at the same time this transhumanist agenda is trying to steer us towards a dystopian future. I am not part of either and yet I am in this world like anybody else and have to navigate these obstacles. I understand in doing so I probably confuse a lot of people. It may look like I'm lost - and in truth we're all ALWAYS lost - but that is only if you judge what I'm doing against the mainstream. A few times over the years I've had some smart-arses trying to rub it in and arrogantly imply I've been left behind or am out of touch with what is the latest trend. I was never trying to keep up with the latest trends at any stage. I'm waiting for this shitty era of social media to be over with, which it will inevitably. It cannot sustain itself as it is and I'm sure as the current platforms fall new ways of doing things will open up technologically, which will be more in harmony with real life humanity.

Anyway, back to the Spotify playlist submissions. I am well aware I'm not part of that whole culture and don't want to be but I do want as many people to hear this Music as possible so I will use whatever means are available to me. So we try and see if any of the songs can get playlisted and bring in more listeners. Most playlist curators will ignore if they are not interested but the odd one or two reply to me, even if they choose not to use any of my songs. The other day I received this reply:

I'm not calling out the guy himself here. Most likely he meant well. What I find strange is why not just ignore my submission if the playlist isn't very active these days or listen to the song first before replying and then either stick it on or not. The tone and implication of the message is basically "you're too late", and as I said, maybe he didn't mean it this way, but my feeling when I first read it was it was another of the attacks/digs we regularly get from people trying to put down this Music and imply it's going nowhere.

So I took this as an opportunity to make it clear again what I'm trying to do. I have no intention of fitting into the modern ways of the music industry, the social media networking culture and everything that comes with it. I use these tools because that's all they are to me - tools to reach people with this Music while we await the move to a higher timeline.